The Metamorphosis project began the way most real magic begins, with a question mark in the divine imagination. What if mythology became the engine of transformation? Not a story frozen in time, but a living museum where portraits step out of their frames, marble sculptures breathe with desire, and jewelry flows through our bodies the way music flows through our souls.
We built our story around the ancient myth of Apollo and Daphne, where opposing forces create two paradoxical fates. One force inflames Apollo with love; the other seals Daphne away from it, making attraction and repulsion spiral toward transformation. In the original tale, that tension ends when Daphne calls out to her father for a divine escape, becoming a laurel tree. We adapted that structure in our dream museum by turning these ideas into metaphorical mirrors: the Fairy Queen becomes the flowering love-current that awakens Apollo from marble, while Madame X is the poisonous sting that answers love with recoil. The narrative flow is made into a ritual process, jewelry as a vector of fate, so every relic in the gallery functions like a spell-component, moving the myth forward scene by scene.
Hermes is the gateway to the museum: the master of thresholds, messenger of the gods, trickster, and guide to the sacred inner world. We imagined him as the literal architecture of transformation: the moment matter turns into meaning. He speaks “metamorphosis” once, like a seal breaking, as butterflies flood the air: thoughts taking flight, warm with gold light. This is also where our jewelry collection is eloquently woven into the myth.
The butterflies lead into the museum’s first chamber where we encounter a monumental sculpture of Poseidon, the calm, inevitable, whirlpool under the floorboards of reason. In our jewelry myth, this sea god is anchored to our Poseidon Ring and Poseidon Pendant; deep-current relics, carrying the weight of emotional tides, vows, and the unconscious.
Then the song begins and the museum becomes possessed by our ritual script:
Wings crown the Queen in her painted throne
From jewelry’s shine, behold our fairy grown
Our first spell begins with a nod to Sophie Anderson’s Fairy Queen: “Take the Fair Face of Woman, and Gently Suspending, With Butterflies, Flowers, and Jewels Attending, Thus Your Fairy is Made of Most Beautiful Things.” Anderson’s Victorian fantasy painting gives us a manifesto about enchantment: beauty as otherworldly authority. In our retelling, she becomes the monarch of the museum’s hidden court. She invokes the bewitching power of metamorphosis: innocence, invitation, the first sweetness of magic. The linked pieces worn by this figure amplify that courtly spell:
She draws a line of sight in the gallery’s light
A flowery love spell cast like an arrow in flight
The Fairy Queen does not shoot so much as consecrate the air. The arrow leaves her hand crossing the gallery like a stem of florals, desire braided into botanicals.
A spark in stone, Apollo awakes with a moan
When the arrow strikes the chest of a draped marble statue of Apollo, it does not shatter, it sparks an erotic awakening. The museum’s promise of perfect indifference cracks, and myth sinks through. Apollo symbolizes radiance, order, and the dangerous confidence of truth. Here, he is the museum’s ideal form given life. In our worldbuilding, Apollo is linked to our Apollo Ring: not merely a product cameo, but a symbolic endpoint where the “sun-god” collapses back into artifact, proving the museum has turned spirit into substance.
Daphne in varnish, his heart finds its home
Awakened by the floral love spell, Apollo begins to worship Daphne, the nymph of rivers and wild places, devoted to freedom, sworn to remain unpossessed. In another nod to art history, we invoke Wagner’s portrait of Daphne, often tied to 19th-century porcelain painting , where she is crowned with laurel leaves. Here she is still held behind a gloss of varnish; unreachable, luminous, sealed behind a veil. When Daphne glances back, the veil thins, and the frame admits what it has been all along: a threshold.
He lays down offerings, bright at her feet
Gifts flow like rapids, fierce and sweet
After Daphne floats out of the threshold, the first gifts arrive as relics meant to carry a vow across worlds. Her pieces speak her element: water-light and sky-cool, like a river made wearable. A milky aquamarine pyrite necklace and purple chalcedony labradorite earrings, beauty that doesn’t bind her, but echoes the freedom she protects.
AQUA EYES - AQUAMARINE NECKLACE
HER SMILE - CHALCEDONY EARRINGS
Jealousy dressed in charms and velvet shadow
She mirrors his desire, but love does not follow
We invoke John Singer Sargent’s Portrait of Madame X, a painting famous for its social electricity: poise so sharp it becomes confrontation. Madame X represents glamour as armor, the cultivated self as a public spell. In our story, that spell rots. Jealousy is the shadow that luxury can’t purchase its way out of. She mirrors desire, but love doesn’t follow, as love cannot be stolen by imitation. The onyx she wears makes that subtext literal: a stone long associated with protection and intensity, like night polished into a shield. But the more she clings to that dark protection, the more it concentrates what’s underneath, turning restraint into hunger, and hunger into a repulsive obsession.
Scorpion ring slips on, ready to do her bidding
Romance turns to recoil with a blinding sting
Madame X is linked to our Scorpion Ring: a relic of revenge, possession, venomous will. In ancient symbolism, the scorpion is both protection and punishment, an underworld creature that guards what is sacred by making theft costly. Madame X reaching for the scorpion ring is the museum’s moral pivot: beauty turning predatory.
SCORPION RING - VENOM IN MY VEINS
Pigment breaks into panic with venom in her veins
Salt on her lips, she calls the ocean’s secret name
The scorpion’s triumph quickly shifts to pigment seeping, color shifting, terror coursing through Daphne’s veins. The “secret name” is an ancient metaphysical idea: to know the true name of a force is to summon it. Daphne’s lips move with tears of salt catching light as Poseidon (Peneus) appears, striking the museum floor, stone breaking, water surging.
Feet take root, arms bloom into altar-branches
Love melted down, recast into second chances
This is where we fully reimagine Daphne’s ancient fate. In Ovid, she becomes a laurel tree to escape pursuit. In our version, the metamorphosis becomes ascent, escape that turns into apotheosis. Her lower body transforms into roots, her torso lifts into a trunk, and her arms branch outward like an altar: the body becomes sanctuary. Jewelry is grown as fruit and relic at once. Poseidon raises a compassionate hand to her face in recognition of her suffering. Apollo arrives to witness the metamorphosis and collapses. Gold tears drip; his body melts into a stream that feeds the roots, devotion turned to literal nourishment. The sun-god becomes gold in the most alchemical sense: love purified into a sacrificial gift. This closes the museum’s circuit: artifact becomes spirit, spirit becomes artifact.
RING OF APOLLO - HYMN TO THE SUN
The Three Graces, now alive, appear wearing the same jewelry as the portraits, like the museum has absorbed the story. The Graces traditionally signify beauty, joy, abundance. What survives after tragedy and transmutation. In our ending, they are the chorus made flesh: the museum’s final blessing.
HUMAN X AI CREATION NOTES
In this controversial world, split between AI lovers and AI haters, we also want to share the process of how this music video came to life. This is a creative human work, guided by intention, authenticity, philosophy, aesthetic judgment, and spiritual symbolism first. We used AI technologies the way artists have always used instruments: as extensions of hand and vision, not authors of meaning. The human choices are what matter. We wrote the lyrics, built the myth and characters, curated each moment as art objects, defined the musical style and voice, and creatively directed the chain of cause and effect so each scene earned the next. We decided to treat our jewelry as meaningful relics rather than advertisement, objects that catalyze the story. Then we refined every frame, again and again, until the film stopped feeling “made” and started feeling inevitable.
Enjoy!
Ev & Tom